With her black hair, red lips, and lily-white skin, Summer is as beautiful as her father's garden. And her life in the mountains of West Virginia seems like a fairy tale; her parents sing and dance with her, Cousin Nancy dotes on her, and she is about to get a new baby brother. But when the baby dies soon after he's born, taking Summer's mama with him, Summer's fairy-tale life turns grim. Things get even worse when her father marries a woman who brings poisons and magical mirrors into Summer's world. Stepmama puts up a pretty face, but Summer suspects she's up to no good - and is afraid she's powerless to stop her.
***WARNING: POTENTIAL SPOILERS BELOW ***
★★★☆☆
In this Appalachian re-imagining of the classic tale of Snow White, Jane Yolen introduces us to young West Virginia native Snow-in-Summer, named for the flowers that grow in front of her house. The story opens with Summer sharing the memory of attending her mother's funeral. Summer's biological mother, Ada-Mae died in childbirth, along with Summer's baby brother.
I'd been born on July 1, 1937, ten pounds of squalling baby, with a full head of black hair. It was a hard birth that nearly killed Mama. Though the next baby, being even bigger,
actually did.
Cousin Nancy, who'd been there to help with my birthing, told me all about it later, after Mama died. "White caul, black hair, and all that blood," she said. I shuddered at the blood part, but Cousin Nancy explained it was good blood, not bad. "Not like later," I said, meaning when Mama died, and Cousin Nancy just nodded because nothing more needed to be added.
She put her arm around me, adding, "Poor man was so scared he might lose her. And when he came back inside, called by the midwife, he was so relieved that Mama hadn't died, he let her name you."
"Snow in Summer," I said.
Then she gave me a hug. "Your daddy laughed and said 'We gonna call her all that?' 'We gonna call her Summer,' your mama said. 'It's warm and pretty, just as warm and pretty as she is."
"I am," I said. "Warm."
"And pretty," Cousin Nancy said, drawing me closer. "Just like your mama." That made me smile, of course. Everyone needs someone to tell them they look pretty. Especially at nine.
Summer's father, Lemuel Morton, falls into a deep depression following the death of his wife and son, becoming "do-less", as Summer calls it. After four years, he just seems to snap out of it, virtually overnight. Shortly after, he remarries a pretty and mysterious woman no one in town has ever met before, only seeing that Lemuel appears obsessively enamored with her. Sure, people have questions, but at the end of the day most are just glad to see Lemuel's spark back again.
Summer does her best to be a good stepdaughter --- even when this new wife insists on calling her Snow rather than Summer, and her father never bothers to correct or object --- but inwardly she begins to have suspicions that there is a great deal of darkness within this woman. She knows a secret about this enchantress who has captured her father's heart, but decides to keep the truth to herself for at least a little while, while she sees what else she can learn. The more time she spends around her new stepmother, the more Summer begins to feel herself becoming enchanted, though initially she confuses it for true happiness.
The mountains stand side by side, stiff and unyielding, like brothers who have given up talking to one another.
But then there's the shift. Suddenly Summer is only allowed limited visitation with her cousin Nancy -- who also suspects there's something shady about Lemuel's new wife --- until Summer's stepmother forbids them from communicating altogether. Nancy is the widow of Lemuel's favorite cousin, Jack, and has served as a sort of surrogate mother to Summer all these years. She's also secretly been in love with Lemuel this whole time.
(I loved the character of Nancy, btw.)
Note: The majority of this novel is told from Summer's perspective, but occasionally there are chapters switched to Nancy's view of events. From time to time, the stepmother is also given a brief platform, trying to sell the "I'm not evil, not wicked" line, but knowing the origin story as we do, readers know to be on their guard with her.
Lemuel's own behavior begins to turn odd: he grows his beard out all long and grizzly, stops virtually all forms of personal hygiene (he begins to emit a persistent odor of urine), and more and more frequently goes into nonsensical rambling. Shortly after Summer's 12th birthday, her stepmother's abuse begins to turn physical, breaking the child's spirit to the point of convincing Summer she deserves this treatment. Cousin Nancy teaches Summer some white magic to try to combat the stepmother's dark variety. For added protection, Nancy also gives Summer a small bag containing the preserved caul Summer was born with (there's an Appalachian belief that those born with a caul over the head, or "of the veil", will hold the ability to talk with the dead). While the suggestions help, the white magic still proves too weak to overturn the enchantment consuming Lemuel's soul. Summer's salvation --- and that of her family --- will come with Summer learning to have faith in her own strength and abilities, turning this story into the classic theme of a kind, strong heart prevailing over evil.
Yes, I believed the caul had kept me safe. And maybe the thing was somehow a sign from God. I began to believe that even if I couldn't ever best Stepmama, I could outlast her. I mean, I was almost thirteen and she was old. Nigh on to thirty-five if she was a day, I thought. Even her powders and face paint couldn't disguise the age lines and the gripe lines that ran as deep as the railway tracks some said were bound to cross our mountains any day soon.
(That part just cracked me up 😆)
So how does this retelling stack up to its source material? The likenesses are there, but this is definitely a unique story in its own right. But where are the recognizable markers, you wonder?
* Summer is a lover of fairytales and is familiar with the story of Snow White, but doesn't make strong connections between that tale and her life, at least not until she stumbles upon the magic mirror.
* The magic mirror does make a few appearances, though not really one of the key powerful elements of the story.
* The "hunter" character here is actually a country boy who has intentions of committing statutory rape (and maybe also murder) under the guise of "courting" Summer... as a favor to the stepmother.
* Yolen also brings back the 7 Dwarves, sort of --- Summer, while trying to flee "the hunter" guy, meets 6 brothers with dwarfism, German immigrant gem miners, with 1 brother away at college.
* Bonus note: Summer's fictional town of Addison is actually inspired by Webster Springs, WV, the real-life hometown of Yolen's late husband.
Snow in Summer is an extended version of a short story (under the same name) Yolen originally had published in the anthology Black Hearts, Ivory Bones. Much like the original fairytale, this novel starts with establishing what a joyous home life Summer and her parents shared prior to her mother's death. With the appearance of the stepmother, Summer's story illustrates the "necessary evil" of evil itself. Sometimes the presence of evil --- or at least hardship --- is just the thing we need to push us out of a stagnant, complacent state, driving us to rise up to our best selves.
Though this novel is published through Penguin's Young Readers Group division, parents may want to do a discretionary read prior to handing off to your children, depending on where your personal family guidelines are set. This retelling hits upon some darker themes: illegal moonshining; serpent-handling forms of religion / speaking in tongues; sexual assault / attempted rape, (at least touches upon or alludes to the subject); water sources laced with strychnine. Yolen works in some ecological discussions as well, in the topics of clear-cutting forests and the practice of strip-mining.
There are also spoilers for the novel Anne of Green Gables by L.M. Montgomery.
If you get your hands on a hardcover copy (the one pictured at the top of this post), take a minute to take in the cover art --- there's a lot of cool somewhat hidden details throughout the whole piece!
True love, the best kind: born out of adversity and hard work and destined to last forever.
The world will end on Thursday, July 27, 2000. At least, that's what Reverend Beelson has told his congregation. Marina's mom believes him. So does Jed's dad. That's why they drag Marina and Jed to join the reverend's flock at a mountain retreat. From the mountaintop they will all watch the Righteous Conflagration that will end this world--and then they will descend and begin the world anew. But this world has only just begun for Jed and Marina, two teenagers with more attitude than faith. Why should the world end now, when they've just fallen in love? Told in alternating chapters from both Jed's and Marina's points of view, this first-ever collaboration between two masters of children's literature is a story about faith and friendship, love and loss . . . and the things that matter most at the End of the World
★★★1/2
Reverend Beelson tells his congregation that the world will end on July 27, 2000. He explains that 144 people will be "the chosen", the ones spared to rebuild the world, everyone else will die. Two members of the church --- Marina's mom and Jed's dad --- believe this so strongly that they are happy to relocate their families to the secret mountain retreat Beelson has set up for his followers. The reverend has everyone follow him up to a portion of state park that sits above their city in Massachusetts. They dub the area "Armageddon City". Beelson orders that the all educating will be done through monitored homeschooling and there will be no tolerance of drinking, drugs, caffeine or TV viewing. Not even consumption of chocolate is allowed.
Pure coincidence, I'm sure, *smirk*...the end of the world date just happens to be the same day Beelson's two week camping permit expires!
With all the violence, epidemics, and natural disasters running through the world, it's easy for the children to calmly follow their parents' lead at first. Marina wants to remain optimistic --- she can see some truth in her mother's beliefs -- but questions begin to flood her mind when she sees that the Beelsonite Believers mountain community actually ends up being a compound surrounded with barbed wire and electrified fencing, flanked by armed guards. Why does a "retreat" need a full patrol armed with automatic rifles?
JED >> You wouldn't think having a two-day lead would be that big a deal. But it was enough to give the people in the First Wave --- the Ten Families, they called themselves --- a major case of Attitude. Those of us in the Third Wave did get to look down on the people who came the next day, but by that time the major ego points had already been distributed. Besides, it was hardly worth the bother, since only eight people showed up on Day Four. Those eight meant there were 121 of us in all. I know because the Believers had put up a signboard where they kept track of how many people were on the mountain. I wasn't quite clear, yet, on whether we were worried about actually being able to get the full 144, or nervous about exceeding the limit. I also wondered what it would do to their math if I told them I didn't really believe. Would I only count as a fraction? Or even a minus number?
Marina and Jed eventually come together in mutual concern and skepticism over the whole situation, though many of their meet-ups have to be done somewhat in secret, since Marina's mother, Myrna, seems suspicious of any males hanging around her daughter, but especially has a sharp eagle eye on Jed. He gets a severe tongue-lashing one day when the two teens are seen just having a quiet, perfectly civil and platonic conversation!
But at the same time, Myrna herself becomes increasingly consumed with trying to catch the eye of the reverend. Over time, Myrna becomes a mother Marina doesn't recognize. When Marina's baby brother, Leo, comes down with a sickness that leaves him with feverish skin and diarrhea, it progresses enough for Beelson to give permission for a doctor "down mountain" to be brought in. Even after the doctor examines Leo and determines the kid has a severe case of dehydration requiring hospitalization, Beelson insists the boy cannot leave, treatment will have to come to him.
Jed, who has taken to calling the compound "Wicky Wacky LastChance, headed up by Rev. Beetlebutt", 100% believes his father has gone off the deep end, but agrees to move with him to Armageddon City only to ensure that his father remains safe until sanity is restored within the community. Even other children in the community take to giving silly names to things to show they are not entirely on board with Beelson's beliefs, but being dependents of their parents, they have no choice but to ride this craziness out. Chapters featuring alternating voices show kids describing the emotional shifts & rifts that begin to develop in these individual families as little by little more and more of the congregation begin to doubt the truth of Beelson's prophecy.
Yolen teamed up with Bruce Coville back in 1998 to write this piece of apocalyptic fiction. Being this many years out from Y2K, it may be a little quaint reading this type of story now. But time period aside, it still has power in the fact that there are still groups like the Beelsonites out there in the world today. Small though they may be, these groups and this type of mentality are still very much alive in pockets of the world. As violence, depression and a general sense of being lost in this world continue to be on the rise, there are still those Beelson-types out there who will happily swoop in and feed on the fears of the easily impressionable to create communities similar to the one described in this novel. Unsettling as that is, Yolen and Coville graciously incorporate humor here and there to infuse the heavier themes with a little levity now and then. They also do the reader the service of ending on a high note, with the idea that it's never too late to turn things around and rebuild.
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